The Idle Rich Are a Strange Breed

Gerry Jeffers (Claudette Colbert, center top) finds herself an unexpected guest of millionaire J.D. Hackensacker III (Rudy Vallee, top right) at his lavish estate in THE PALM BEACH STORY (1942).

In 1942, director Preston Sturges was rapidly approaching his career peak in Hollywood. Not only was he riding high from the critical and box office success of The Lady Eve (1941), but his esteemed reputation at Paramount Studios had given him the creative freedom to complete a film project dear to his heart – Sullivan’s Travels (1941), starring Joel McCrea and Veronica Lake. So what to do for an encore? At first, Sturges toyed with the idea of doing another film with Lake called The Passionate Witch. But that project was soon handed off to French director Rene Clair with Sturges’ blessing (it was released as I Married a Witch, 1942) while Paramount’s “in-house genius” came up with a new script, tentatively titled Is That Bad?, that poked fun at the idle rich, a class of people with whom Sturges enjoyed some familiarity. After all, his former wife – Eleanor Hutton – was an heiress who was once wooed by Prince Jerome Rospigliosi-Gioeni, among other international aristocrats. This new project – which came to be known as The Palm Beach Story (1942) – would soon prove to be his most expensive undertaking to date.

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CB Mania

Does anyone remember the CB radio craze of the 1970s? It now looks like some strange cultural aberration in hindsight but it lasted for about eight years and was at the height of its popularity between 1974 to 1977. The CB radio lifestyle and its terminology infiltrated pop culture and was celebrated in top forty songs like C.W. McCall’s “Convoy” (1975) and Jerry Reed’s “East Bound and Down” (1977) and in TV series such as Movin’ On (1974-1976) and B.J. and the Bear (1979-1981). The craze was also a ubiquitous presence in movies, often driving the narrative in such drive-in fare as C.B. Hustlers (1976) and High-Ballin’ (1978) as well as Smokey and the Bandit, the number four box office hit of 1977. Yet, strangely enough, 1977’s Citizens Band (which stands for CB) was almost completely ignored by moviegoers even though it is one of the most entertaining and perceptive portraits of CB culture. It was also the first major studio film for director Jonathan Demme (The Silence of the Lambs), who was working with a screenplay penned by Paul Brickman (the writer and director of 1983’s Risky Business).

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Dietrich and von Sternberg’s Last Tango

When The Scarlet Empress (1934), Josef von Sternberg’s lavish historical epic starring Marlene Dietrich as Catherine the Great, proved to be a critical and commercial disaster for Paramount, the director realized his days were numbered at the studio. So why not go for broke in one last picture? The result was The Devil is a Woman (1935). Continue reading →