The Idle Rich Are a Strange Breed

Gerry Jeffers (Claudette Colbert, center top) finds herself an unexpected guest of millionaire J.D. Hackensacker III (Rudy Vallee, top right) at his lavish estate in THE PALM BEACH STORY (1942).

In 1942, director Preston Sturges was rapidly approaching his career peak in Hollywood. Not only was he riding high from the critical and box office success of The Lady Eve (1941), but his esteemed reputation at Paramount Studios had given him the creative freedom to complete a film project dear to his heart – Sullivan’s Travels (1941), starring Joel McCrea and Veronica Lake. So what to do for an encore? At first, Sturges toyed with the idea of doing another film with Lake called The Passionate Witch. But that project was soon handed off to French director Rene Clair with Sturges’ blessing (it was released as I Married a Witch, 1942) while Paramount’s “in-house genius” came up with a new script, tentatively titled Is That Bad?, that poked fun at the idle rich, a class of people with whom Sturges enjoyed some familiarity. After all, his former wife – Eleanor Hutton – was an heiress who was once wooed by Prince Jerome Rospigliosi-Gioeni, among other international aristocrats. This new project – which came to be known as The Palm Beach Story (1942) – would soon prove to be his most expensive undertaking to date.

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Two of a Kind

A slice of early Americana. A showcase for some of W.C. Fields’ best gags and funny bits of business. The second screen pairing of two comedic actors that audiences loved seeing together. Tillie and Gus (1933) is all of those plus it marks the first major role of that pesky little Baby LeRoy, soon to be a regular tormentor of Fields. It also includes a scene-stealing trained duck and several eccentric character actors who make perfect foils for the title characters such as Clarence Wilson, George Barbier and Edgar Kennedy. Tillie and Gus might not be my favorite Fields’ movie (that’s a toss-up between The Bank Dick and It’s a Gift) but it is a constant delight and well worth seeing or revisiting for any Fields beginner or hard core fan.  Continue reading →