Truckin’ With Jean Gabin

Jean Gabin plays a world weary trunk driver in Henri Verneuil's Des gens sans importance (1956, aka People of No Importance).

Jean Gabin plays a world weary trunk driver in Henri Verneuil’s Des gens sans importance (1956, aka People of No Importance).

One of the great stars of French cinema, Jean Gabin was also an unofficial film culture ambassador for his country whose career can be divided into five distinct phases; the first would be a brief stint in silent films and playing secondary roles in the first French “talkies” and the second would be as a ruggedly handsome, melancholy anti-hero and acclaimed actor who reached a career peak in the late thirties with Port of Shadows (1938), La Bete Humaine (1938), and Le Jour se Leve (1939). The third phase, the years between 1939 and 1953, are generally considered a fallow period in which he attempted an unsuccessful bid for Hollywood stardom and experienced equal disappointments in the French film industry.   Continue reading

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The Pinku-Yakuza Eiga Combo That is Something Else Entirely

Hitman Sho (Yuichi Minato) fantasizes about killing his rival Ko (Shohei Yamamoto) in Sex Doll of the Wastelands (1967, aka Dutch Wife in the Desert)

Hitman Sho (Yuichi Minato) fantasizes about killing his rival Ko (Shohei Yamamoto) in Sex Doll of the Wastelands (1967, aka Dutch Wife in the Desert)

Inflatable Sex Doll of the Wastelands sounds like a make-believe movie title but it actually exists. Made in 1967, this genuine head scratcher that is also known as Dutch Wife in the Desert (Koya no Dacchi waifu) has elements of two popular genres in Japanese cinema – softcore erotic films (Pinku eiga) and gangster dramas (Yakuza eiga) – but is unlikely to please fans of either due to its fragmented narrative structure and emphasis on style at the expense of delivering the expected goods (sex and violence) in a logical linear progression. In other words, it’s chaotic, rude, goofy, pretentious, misogynistic (big surprise), and unafraid to be boring or narcissistic.    Continue reading

A Lost Version of Buster Keaton’s The Blacksmith is Discovered

Buster Keaton in the two-reeler The Blacksmith (1922)

Buster Keaton in the two-reeler The Blacksmith (1922)

Often ranked by silent film historians as one of Buster Keaton’s lesser efforts when compared to his other two-reel shorts such as One Week (1920) or Cops (1922), The Blacksmith (1922) is now enjoying a major critical reassessment because of a remarkable turn of events. Film collector Fernando Peña who, in 2008, uncovered the original, uncut version of Fritz Lang’s Metropolis (1927) in the archives of the Museo del Cine in Argentina, discovered a remarkably different version of The Blacksmith that same year through fellow collector Fabio Manes who purchased a 9.5mm print of it online. Released by the Pathé company in France in 1922 with French intertitles, this previously undiscovered version includes missing material totaling more than four minutes of sight gags, settings, and characters not featured in what was considered the original American version of The Blacksmith.     Continue reading