Gone Missing: Bas Jan Ader

I had never heard of Bas Jan Ader, the Netherlands artist (1942-1975), until I saw Rene Daalder’s fascinating documentary, Here is Always Somewhere Else (2007). Even though Ader has attained a huge – and still growing – cult following since the early 1990s when his work began to enjoy a major reappraisal in art circles, one has to wonder if the rising popularity of his work as a conceptual/performance artist, photographer and filmmaker is partly due to his mysterious disappearance and not necessarily his surviving accomplishments. To die for your art is one thing but to vanish without a trace while you are beginning to receive critical and public recognition almost guarantees than an artist who is young, handsome and enigmatic will achieve some degree of deification. Continue reading

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Anita Ekberg is a Screaming Mimi

Anita Ekberg screams as a crazed maniac (offscreen) approaches her with a knife as she showers outside in Screaming Mimi (1958), directed by Gerd Oswald.

Every once in a while a psychological thriller comes along that is every bit as delusional and confused as its most disturbed character and that is certainly the case with Screaming Mimi (1958). Whether intentional or not, the movie abandons logic and the intricately plotted pleasure of a good whodunit to run amok in a nocturnal fantasy world populated by bohemians, strippers, sexual deviants and psychopaths. Continue reading

The Ambrose Bierce Civil War Trilogy

A Union soldier prepares a noose for an accused saboteur in An Occurrence at Owl Creek Bridge, an episode in the three part film, Au Coeur de la vie (In the Midst of Life, 1963).

Stephen Crane’s The Red Badge of Courage, Jessamyn West’s The Friendly Persuasion, Walt Whitman’s collection of poems Drum-Taps and Margaret Mitchell’s Gone With the Wind are among some of the most famous examples of historical fiction and literature about the American Civil War. More recent works would have to include Charles Frazier’s Cold Mountain and Michael Shaara’s trilogy (Gods and Generals, The Killer Angels and The Last Full Measure) but some of the most evocative and unsentimental writing about the War Between the States can be found in the Civil War short stories of Ambrose Bierce, who served in the Union Army’s 9th Indiana Volunteer Infantry. I find it surprising that no major American feature films have been based on his work yet several of his short stories have been adapted for the screen in Poland, England and France. And the most memorable one of all remains Robert Enrico’s Au Coeur de la Vie (In the Midst of Life, 1963).  Continue reading