Kill or Cure?

Most filmgoers who were born before 1965 know Paddy Chayefsky as the playwright who penned the teleplay Marty and later won an Oscar for the 1955 screenplay adaptation. Contemporary movie fans, however, remember him as the creator behind the 1976 media satire Network, which was nominated for 10 Oscars and won four including Best Screenplay, Best Actress (Faye Dunaway), Best Supporting Actress (Beatrice Straight) and a posthumous Best Actor Academy Award for Peter Finch as unhinged news anchor Howard Beale. (Bryan Cranston is currently playing Beale in a Broadway stage production based on Chayefsky’s film). What tends to get overlooked in Chayefsky’s filmography is The Hospital (1971), an equally audacious movie that prefigured Network’s outrageous blend of black comedy and social commentary and appeared five years earlier.  Continue reading

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Picaresque Americana

Everyone involved creatively with the making of Arthur Penn’s landmark of sixties cinema, Bonnie and Clyde (1967), benefited greatly from its astounding international success. Certainly the director and all the key cast members saw an immediate acceleration in their careers and it enabled screenwriter Robert Benton to make his directorial debut in 1972 with Bad Company, working from a script he penned with his Bonnie and Clyde writing partner, David Newman. Structured in a manner similar to the Arthur Penn film, it was a picaresque and episodic road movie, set during the Civil War, with an authentic sense of period detail and moments of biting wit and sudden, shocking violence that gave a contemporary edge to the Americana on display.   Continue reading

A $20 Million Cinematic Landmark to Slapstick

When Steven Spielberg’s 1941 opened in December 1979, it was mostly savaged by the critics though a few rose to its defense like Pauline Kael who wrote, “…the film overall is an amazing, orgiastic comedy, with the pop culture of an era compacted into a day and a night. There are such surprising slapstick payoffs that the film’s commercial failure in this country didn’t make much sense.” When I caught up with 1941 in a repertory screening in 1982, I had to concur with Kael that Spielberg’s comic epic was unfairly maligned and great fun if you just go with the chaotic flow of it.   Continue reading

Lost in The Yabba

Gary Bond stars in the 1971 cult classic Wake in Fright aka Outback, directed by Ted Kotcheff

Gary Bond stars in the 1971 cult classic Wake in Fright aka Outback, directed by Ted Kotcheff

Retitled and released as Outback in the U.S. and Great Britain in 1971, Ted Kotcheff’s Wake in Fright was barely noticed by American critics and moviegoers and quickly vanished from screens. What attention it did receive in England at the time was mostly critical of the film’s negative depiction of the Australian Outback region and its inhabitants. And despite the fact that it was a huge critical success at Cannes and was nominated for the Golden Palm, the film went missing soon after and until recently was considered a lost film.      Continue reading