Scandal Sheet Smackdown

Five Star Final posterIn the early thirties, most studios steered clear of social protest films but not Warner Bros. They embraced the genre with the same muckraking glee that characterized some of their subjects. Prison reform was addressed in one of their most famous films, I Am a Fugitive from a Chain Gang (1932), with equally controversial topics like the rise in urban crime and drug addiction among war veterans being presented in The Public Enemy (1931) and Heroes for Sale (1933), respectively. Five Star Final (1931), on the other hand, addressed a different type of social problem – tabloid journalism.    Continue reading

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Eurotrash or Subversive Satire?

ann and eveIs it possible to make a movie that works as both art house fare and exploitation cinema? Arne Mattsson’s Ann och Eve – de erotiska (1970), which was released in the U.S. in an English dubbed version as Ann and Eve, certainly comes close but still manages to frustrate both intended audiences with a bait-and-switch narrative that moves freely from sexual titillation to Swedish angst a la Bergman to surreal flights of fancy and back again, never revealing whether it should be taken seriously or as a put-on until the final frames. Continue reading