Does anyone remember the CB radio craze of the 1970s? It now looks like some strange cultural aberration in hindsight but it lasted for about eight years and was at the height of its popularity between 1974 to 1977. The CB radio lifestyle and its terminology infiltrated pop culture and was celebrated in top forty songs like C.W. McCall’s “Convoy” (1975) and Jerry Reed’s “East Bound and Down” (1977) and in TV series such as Movin’ On (1974-1976) and B.J. and the Bear (1979-1981). The craze was also a ubiquitous presence in movies, often driving the narrative in such drive-in fare as C.B. Hustlers (1976) and High-Ballin’ (1978) as well as Smokey and the Bandit, the number four box office hit of 1977. Yet, strangely enough, 1977’s Citizens Band (which stands for CB) was almost completely ignored by moviegoers even though it is one of the most entertaining and perceptive portraits of CB culture. It was also the first major studio film for director Jonathan Demme (The Silence of the Lambs), who was working with a screenplay penned by Paul Brickman (the writer and director of 1983’s Risky Business).
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Kill or Cure?
Most filmgoers who were born before 1965 know Paddy Chayefsky as the playwright who penned the teleplay Marty and later won an Oscar for the 1955 screenplay adaptation. Contemporary movie fans, however, remember him as the creator behind the 1976 media satire Network, which was nominated for 10 Oscars and won four including Best Screenplay, Best Actress (Faye Dunaway), Best Supporting Actress (Beatrice Straight) and a posthumous Best Actor Academy Award for Peter Finch as unhinged news anchor Howard Beale. (Bryan Cranston is currently playing Beale in a Broadway stage production based on Chayefsky’s film). What tends to get overlooked in Chayefsky’s filmography is The Hospital (1971), an equally audacious movie that prefigured Network’s outrageous blend of black comedy and social commentary and appeared five years earlier. Continue reading
