Lee Tracy Does Washington

Whenever a repertory cinema like NYC’s Film Forum or a film archive like the George Eastman Museum programs a Pre-Code series you can bet that Lee Tracy is bound to be in a few of the famous titles such as The Strange Love of Molly Louvain, Love is a Racket, Doctor X, Blessed Event (all released in 1932) and Bombshell (1933). He’s also likely to be playing some kind of shady careerist such as a carnival barker, ambulance-chasing lawyer or tabloid newsman. That’s probably due to his legendary performance on Broadway in 1928 as reporter Hildy Johnson in The Front Page, written by Charles MacArthur and Ben Hecht. Unfortunately, he didn’t get to play the role in the 1931 screen version – Pat O’Brien won that honor and Rosalind Russell played the female version in Howard Hawks’ 1940 remake, His Girl Friday – but Fox Pictures realized Tracy’s potential and brought him to Hollywood in 1929.  Continue reading

Ernesto Gastaldi’s Seminal Giallo

With a tumultuous background of waves crashing against a rocky coast, a descriptive statement from Sigmund Freud on the meaning of libido scrolls down the screen. Part of the Austrian psychoanalyst’s quotation defines libido as “the energy, regarded as a quantitative magnitude… of those instincts which have to do with all that may be comprised under the word ‘love.’” But the film that follows is not about love but rather the perversion of it starting with an opening sequence in which a child witnesses the aftermath of his father’s violent S&M session with a female companion, an incident that scars him for life.     Continue reading