A new kind of female protagonist emerged in the sixties who was free-spirited, independent, hedonistic and willing to exploit her beauty and charm for social advancement without being categorized as a typical prostitute. Audrey Hepburn certainly set the standard as the unconventional Holly Golightly in Breakfast at Tiffany’s (1961) but other famous examples include Julie Christie’s self-absorbed model in Darling (1965) and Genevieve Waite’s wide-eyed waif in Joanna (1968). Lesser known but a distinctly German variation on this prototype is 1966’s Playgirl (also known as That Woman in the U.S.) featuring Eva Renzi in her feature film debut. Continue reading
It sounds like someone’s LSD flashback. Frank Zappa, boxer Sonny Liston, Annette Funicello, female impersonator T.C. Jones, San Francisco’s legendary topless dancer Carol Doda and other cult celebrities appear in a movie co-scripted by Jack Nicholson and directed by Bob Rafelson (Five Easy Pieces, 1970) that showcases the TV-created pop band The Monkees in the leading roles, who in one scene play dandruff in Victor Mature’s hair. Entitled Head (1968), this Cuisinart-puree of pop culture infused with anti-establishment posturing and served up in the then-current style of a trippy experimental film could only have happened in the late sixties when Hollywood studios were in a try-anything phase to capture the rapidly receding youth market.