“Hordes storm fortress!” “Tartars Abduct Viking beauty!” “Orgy celebrates conquest!” These were some of the tag lines used to promote the period epic The Tartars (1961), one of many European imports that reached American shores during a brief “sword and sandal” craze in the late fifties/early sixties. Hercules, the 1959 peplum sensation starring Steve Reeves, started it all. Producer Dino De Laurentiis bought the rights and distributed it in the U.S. in 1959, transforming it into a box office hit. After that, every major studio was scrambling to duplicate that success and MGM was no exception, importing such muscle-bound contenders as The Giant of Marathon (1960), Morgan the Pirate (1961) and The Son of Spartacus (aka The Slave, 1963) – all of them starring Steve Reeves. The Tartars, however, had a different pedigree and a more distinctive one. Not only was it helmed by Richard Thorpe, one of MGM’s most dependable directors of costume epics (Ivanhoe (1952), The Prisoner of Zenda (1952), Knights of the Round Table, 1953), but it sported two high profile marquee names – Victor Mature and Orson Welles.Continue reading
Peter Bogdanovich’s documentary homage, The Great Buster, is scheduled to open at theaters across the country in October 2018 and perhaps it might introduce a new generation of film-goers to the silent era legend. I would certainly recommend The General, Steamboat Bill, Jr. and The Cameraman to Keaton novices but even his less celebrated efforts are cinematic wonders brimming with visual poetry and imaginative sight gags like Go West (1925). Continue reading
The following conversation with Peter Bogdanovich was conducted in April 2010 just prior to the first official TCM Classic Film Festival in which the director co-hosted a screening with Vanity Fair writer David Kamp of Orson Welles’ The Magnificent Ambersons. Bogdanovich, of course, was a close friend of Welles’ and is the creator of that indispensible interview collection, This is Orson Welles. Among other topics discussed are such films as Targets, What’s Up, Doc?, Paper Moon, Saint Jack, unproduced Welles’ projects like Heart of Darkness and Welles’s obsession with fake noses. Continue reading
Buck Henry has had a remarkable career in the entertainment industry, one that has encompassed acting, screenwriting, directing, producing and even dubbing foreign language film imports. Not content to sit on his laurels, Henry at age 86 remains active in Hollywood where he is allegedly working on the screenplay to Get Smart 2. His previous assignment was writing the screenplay for The Humbling (2014), a comedy-drama directed by Barry Levinson starring Al Pacino and based on the novel by Philip Roth.
In April 2010, Buck Henry was a guest at the first annual TCM Classic Film Festival in Hollywood and was present at a retrospective screening of The Graduate to answer questions from Vanity Fair contributor Sam Kashner. I conducted the following interview with Henry about his career prior to that festival for Turner Classic Movies. Continue reading