Here’s a rarely seen Pre-Code curiosity made during the early period of Marlene Dietrich’s career at Paramount, The Song of Songs (1933). It is usually overlooked amid the Josef von Sternberg collaborations that made her famous such as The Blue Angel (1930), Morocco (1930) and Shanghai Express (1932), yet, it provides a fascinating look at Dietrich under a different director (Rouben Mamoulian) as well as a departure from her usual persona as a vamp or prostitute (at least in the beginning). The film is also generously seasoned with romance, decadence, melodrama, earthy humor, some musical numbers and a disaster – there is a fire in the final act.
A slice of early Americana. A showcase for some of W.C. Fields’ best gags and funny bits of business. The second screen pairing of two comedic actors that audiences loved seeing together. Tillie and Gus (1933) is all of those plus it marks the first major role of that pesky little Baby LeRoy, soon to be a regular tormentor of Fields. It also includes a scene-stealing trained duck and several eccentric character actors who make perfect foils for the title characters such as Clarence Wilson, George Barbier and Edgar Kennedy. Tillie and Gus might not be my favorite Fields’ movie (that’s a toss-up between The Bank Dick and It’s a Gift) but it is a constant delight and well worth seeing or revisiting for any Fields beginner or hard core fan. Continue reading