Superdrago to the Rescue

One of countless Eurospy actioners released in the wake of the James Bond film craze in the sixties, Secret Agent Super Dragon (aka New York chiama Superdrago, 1966) has been mercilessly ridiculed on MST3K but served straight up, it’s often funnier in its own poker-faced way and has some oddball flourishes to set it apart from its fellow spy wannabes. I know it denotes a certain immaturity in the writer to even do a post on this, yet I am compelled…I must!

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Jess Franco’s Attack of the Robots

Imagine a science-fiction influenced spy thriller about humanoid assassins directed by Jess Franco with a screenplay adaptation by Jean-Claude Carrière (a frequent collaborator with Luis Bunuel), a cool jazz score by Paul Misraki (Alphaville, Le Doulos, Les Cousins) and an international cast featuring Eddie Constantine, Fernando Rey and Francoise Brion. It sounds like a film buff’s fever dream but it actually exists. Released in 1966 during the height of the James Bond craze, Cartes sur table aka Attack of the Robots is a stylish and amusing entertainment that takes a standard world domination-by-madman scenario and infuses it with a cheeky sense of humor. The film will come as a surprise to those who only associate Jess Franco with Eurotrash favorites like 99 Women (1969), Vampyros Lesbos (1971) and Wanda, the Wicked Warden (1977).

Eddie Constantine as Interpol agent Al Pereira in Jess Franco’s Cartes sur table (aka Attack of the Robots, 1966).

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The Phobophobic Housewife

Margit Carstensen tries to relax by listening to music in Fear of Fear (1975) but it doesn't stop her increasing bouts of anxiety and depression.

Margit Carstensen tries to relax by listening to music in Fear of Fear (1975) but it doesn’t stop her increasing bouts of anxiety and depression.

Films about housewives losing their identity in a marriage or slowly going bonkers from the daily rituals of domesticity are plentiful enough to form their own distinctive subgenre. Among the most intriguing of these films, all of which reflect the specific time and cultural moment in which they were made, are Frank Perry’s Diary of a Mad Housewife (1970), John Cassavetes’ A Woman Under the Influence (1974), Chantal Akerman’s landmark 1975 feature, Jeanne Dielman, 23 Quia du Commerce, 1080 Bruxelles, Dusan Makavejev’s Montenegro (1981), and the curious Canadian indie Dancing in the Dark (1986), directed by Leon Marr. But the one I’d like to highlight and which I had the pleasure of revisiting recently on DVD is Fear of Fear (German title: Angst vor der Angst, 1975), directed by Rainer Werner Fassbinder. Continue reading