Pistol Packin’ Femme Fatales

Mara Corday is Vera, the mastermind behind a gang of female bandits, in GIRLS ON THE LOOSE (1958), directed by Paul Henreid.

Juvenile delinquent films in the 1950s were so plentiful that they became a major B-movie subgenre and the surprisingly thing about that was the number of movies featuring female hooligans. Among some of the more famous titles are Reform School Girl (1957), Runaway Daughters (1956) and Teenage Devil Dolls aka One Way Ticket to Hell (1955) but Girls on the Loose stands out from the pack as a little known and ingenious B-movie delight. For one thing, these aren’t gum-chewing high school delinquents but a quartet of hardened professionals and damaged goods. Equally surprising is the tough, no nonsense story arc which makes the most of its low budget sets and noir lighting schemes in a compact 77-minute programmer directed by Paul Henreid. Yes, THAT Paul Henreid, the former Warner Bros. heartthrob from Austria-Hungary who performed that romantic cigarette seduction of Bette Davis in Now, Voyager (1942). Here he is below, directing his incognito cast of Girls on the Loose.    

GIRLS ON THE LOOSE, director Paul Henreid on set with masked robbery gang Mara Corday, Joyce Barker, Lita Milan and getaway driver Abby Dalton at rear, 1958 Courtesy Everett Collection.
Continue reading

Introducing The Ramones

There was a time in the 1970s when film distributors were able to test-market their more offbeat offerings as “Midnight Movies” for adventurous moviegoers. Sometimes these developed into cult phenomenas like El Topo (1971), The Rocky Horror Picture Show (1975), or Eraserhead (1976). Sometimes they failed to find any audience at all like Pelvis (aka All Dressed Up in Rubber with No Place to Go, 1977) or Elevator Girls in Bondage (1972). Arriving at the tail end of the Midnight Movie craze, Rock ‘n’ Roll High School (1979) fell somewhere between these two extremes.

Continue reading

Ilya Muromets vs. the Dragon

The Sword and the DragonThere is no doubt that my love of all things bizarre, unusual, and other-worldly was influenced to some degree by viewing at an early age Forbidden Planet, This Island Earth, The Wolf Man, I Married a Witch, The Wizard of Oz and Walt Disney animated films such as Pinocchio and Fantasia. But Hollywood films weren’t the only ones to fire my imagination and, thanks to some adventurous distributors in the fifties and sixties, I was exposed to a number of offbeat international features that were circulated in English-dubbed versions for kiddie matinees. Some were completely re-edited for American audiences but still cast a strange spell, regardless of their quality.    Continue reading