Freaking Out in Franco Era Spain

Not all film preservationists are focused on saving and restoring lost classics of silent and early cinema like Abel Gance’s Napoleon (1927) or overlooked noir indies from Hollywood’s golden era such as Richard Fleischer’s Trapped (1949). Mondo Macabro, which has been around since 2003 or so, is dedicated to introducing movie lovers to fringe cinema from around the world – obscure genre films that run the gamut from horror to sexploitation to art house oddities from countries as far flung as Japan, Latvia and South Africa. Among some of their offbeat releases are Lady Terminator (1989), a cheesy Indonesian rip-off of James Cameron’s The Terminator, The Living Corpse (1967), a vampire thriller from Pakistan, and Strip Tease (1963), a melancholy French drama starring Nico (of The Velvet Underground) with music by Serge Gainsbourg and Alain Goraguer. The company’s most recent release on Blu-Ray, The Killer of Dolls (El asesino de manecas, 1975), is easily one of their most peculiar and transgressive acquisitions to date.  Continue reading

The Games People Play According to Eloy de la Iglesia

Juego de amor prohibido posterTwo college students, Miguel (John Moulder-Brown) and Julia (Inma de Santis), take advantage of a school holiday to run off together for parts unknown. Their plan is to shack up somewhere where their parents can’t find them but their impromptu road trip takes an unexpected detour. The young lovers soon find themselves prisoners at a sequestered mansion and estate under the control of Don Luis (Javier Escrivá), an aristocrat with a passionate love of fine arts and the music of Richard Wagner. He also happens to be one of their professors at college and the one who picked up the hitchhikers while he was blasting “Ride of the Valkyries” from his car stereo. This is the set-up for Eloy de la Iglesia’s Forbidden Love Game (Spanish title: Juego de amor prohibido, 1975) but if you think you know what’s coming, you’re probably mistaken.   Continue reading

What Triggers an Obsession?

Jose Luis Lopez Vazquez and Geraldine Chaplin in Peppermint Frappe (1967), directed by Carlos Saura

Jose Luis Lopez Vazquez and Geraldine Chaplin in Peppermint Frappe (1967), directed by Carlos Saura

One of Spain’s best known and critically acclaimed filmmakers in his own country, Carlos Saura is less well known in the U.S. where his mentor Luis Bunuel and his predecessor Pedro Almodovar are more famous. Yet, Saura was one of the guiding lights of the Spanish New Wave movement in the early sixties, beginning with his neorealistic social drama The Delinquents (1960). Saura would hit his stride with his two subsequent features, La Caza (1966, aka The Hunt) and Peppermint Frappe (1967), both of which explored the political, social and sexual repression of the Franco regime through the guise of allegory and psychological melodrama, respectively.     Continue reading

The Deconstructed Honeymoon

Morbo film posterA newlywed couple’s road trip into the countryside grows stranger and stranger and then a deranged Michael J. Pollard shows up, wandering out of the wilderness and clutching a stolen wedding dress. Welcome to Morbo, a 1972 film by Gonzalo Suárez which is in the tradition of other dark, disturbing works by Spanish masters like Luis Bunuel (The Exterminating Angel), Juan Antonio Bardem (Death of a Cyclist) and Carlos Saura (The Hunt).      Continue reading