The Games People Play According to Eloy de la Iglesia

Juego de amor prohibido posterTwo college students, Miguel (John Moulder-Brown) and Julia (Inma de Santis), take advantage of a school holiday to run off together for parts unknown. Their plan is to shack up somewhere where their parents can’t find them but their impromptu road trip takes an unexpected detour. The young lovers soon find themselves prisoners at a sequestered mansion and estate under the control of Don Luis (Javier Escrivá), an aristocrat with a passionate love of fine arts and the music of Richard Wagner. He also happens to be one of their professors at college and the one who picked up the hitchhikers while he was blasting “Ride of the Valkyries” from his car stereo. This is the set-up for Eloy de la Iglesia’s Forbidden Love Game (Spanish title: Juego de amor prohibido, 1975) but if you think you know what’s coming, you’re probably mistaken.   Continue reading

Advertisements

What Triggers an Obsession?

Jose Luis Lopez Vazquez and Geraldine Chaplin in Peppermint Frappe (1967), directed by Carlos Saura

Jose Luis Lopez Vazquez and Geraldine Chaplin in Peppermint Frappe (1967), directed by Carlos Saura

One of Spain’s best known and critically acclaimed filmmakers in his own country, Carlos Saura is less well known in the U.S. where his mentor Luis Bunuel and his predecessor Pedro Almodovar are more famous. Yet, Saura was one of the guiding lights of the Spanish New Wave movement in the early sixties, beginning with his neorealistic social drama The Delinquents (1960). Saura would hit his stride with his two subsequent features, La Caza (1966, aka The Hunt) and Peppermint Frappe (1967), both of which explored the political, social and sexual repression of the Franco regime through the guise of allegory and psychological melodrama, respectively.     Continue reading

The Deconstructed Honeymoon

Morbo film posterA newlywed couple’s road trip into the countryside grows stranger and stranger and then a deranged Michael J. Pollard shows up, wandering out of the wilderness and clutching a stolen wedding dress. Welcome to Morbo, a 1972 film by Gonzalo Suárez which is in the tradition of other dark, disturbing works by Spanish masters like Luis Bunuel (The Exterminating Angel), Juan Antonio Bardem (Death of a Cyclist) and Carlos Saura (The Hunt).      Continue reading