In an amoral world where everyone is a liar, cheat, assassin or ruthless opportunist, can there be any heroes? It all comes down to a matter of charisma and underdog appeal in West German director Klaus Lemke’s Negresco – Eine Todliche Affare (1968), which is also known by the far more suggestive title, My Bed is Not for Sleeping. The film is a flashy, colorful babble of swinging sixties cinema that flirts with several genres without committing to any. Is it an espionage thriller? A sexy jet-set romance? A cynical expose of the La Dolce Vita crowd and their pretentious lives? Continue reading
Imagine a science-fiction influenced spy thriller about humanoid assassins directed by Jess Franco with a screenplay adaptation by Jean-Claude Carrière (a frequent collaborator with Luis Bunuel), a cool jazz score by Paul Misraki (Alphaville, Le Doulos, Les Cousins) and an international cast featuring Eddie Constantine, Fernando Rey and Francoise Brion. It sounds like a film buff’s fever dream but it actually exists. Released in 1966 during the height of the James Bond craze, Cartes sur table aka Attack of the Robots is a stylish and amusing entertainment that takes a standard world domination-by-madman scenario and infuses it with a cheeky sense of humor. The film will come as a surprise to those who only associate Jess Franco with Eurotrash favorites like 99 Women (1969), Vampyros Lesbos (1971) and Wanda, the Wicked Warden (1977).