The Hippie movement of the mid-sixties, which first flourished in San Francisco’s Haight-Ashbury neighborhood, has rarely been captured accurately in Hollywood feature films but there have been a few exceptions and one of the most notable is Psych-Out (1968). Filmed on location in San Francisco by cinematographer Laszlo Kovacs, under the director of Richard Rush (The Stunt Man, 1980), the American-International release captures a moment in time as well as any documentary on the same subject. On a visual level, you couldn’t ask for a better snapshot of the period from the clothes to the hair styles to the social behavior and counterculture attitude. Even the now dated hipster jargon, some of which will make you cringe, seems true to the period. If only the musical acts featured had been less a top forty fabrication than the real thing (Only The Seeds have any credibility among the groups on display), Psych-Out might have had a more significant impact upon its release.Continue reading
Richard Rush has had his ups and downs in the unpredictable world of Hollywood. His more than three decades of filmmaking have included memorable collaborations with such fellow industry legends as Jack Nicholson and cinematographer Laszlo Kovacs as well as long, arduous years in development hell. It took ten years for The Stunt Man to finally reach the screen. Despite it all, Rush remains an eternal optimist with a wonderful sense of humor, genuine love for his craft and a steadfast loyalty to his cast and crew members. The following interview was conducted in April 2010 just prior to the first TCM Classic Film Festival where The Stunt Man was screened and covers some of his films and experiences in the movie business.