Imagine a science-fiction influenced spy thriller about humanoid assassins directed by Jess Franco with a screenplay adaptation by Jean-Claude Carrière (a frequent collaborator with Luis Bunuel), a cool jazz score by Paul Misraki (Alphaville, Le Doulos, Les Cousins) and an international cast featuring Eddie Constantine, Fernando Rey and Francoise Brion. It sounds like a film buff’s fever dream but it actually exists. Released in 1966 during the height of the James Bond craze, Cartes sur table aka Attack of the Robots is a stylish and amusing entertainment that takes a standard world domination-by-madman scenario and infuses it with a cheeky sense of humor. The film will come as a surprise to those who only associate Jess Franco with Eurotrash favorites like 99 Women (1969), Vampyros Lesbos (1971) and Wanda, the Wicked Warden (1977).
L’insoumis (1964) aka The Unvanquished is a relatively unknown but deeply compelling and haunting French film from director Alain Cavalier that aired several years ago on TCM in an English language version titled Have I the Right to Kill? (It was originally distributed by MGM in the U.S.) Shot in glorious black and white by master cinematographer Claude Renoir, the film plays like a politically-charged film noir and it could easily be the best of Alain Delon’s early performances. In the other key role, Lea Massari, the beautiful Italian actress who is best known as the warm, charismatic mother in Louis Malle’s Murmur of the Heart (1971), has rarely been more appealing. Continue reading
Inflatable Sex Doll of the Wastelands sounds like a make-believe movie title but it actually exists. Made in 1967, this genuine head scratcher that is also known as Dutch Wife in the Desert (Koya no Dacchi waifu) has elements of two popular genres in Japanese cinema – softcore erotic films (Pinku eiga) and gangster dramas (Yakuza eiga) – but is unlikely to please fans of either due to its fragmented narrative structure and emphasis on style at the expense of delivering the expected goods (sex and violence) in a logical linear progression. In other words, it’s chaotic, rude, goofy, pretentious, misogynistic (big surprise), and unafraid to be boring or narcissistic. Continue reading
There is a popular misconception these days that almost any movie you want to see is available for streaming or viewing somewhere in cyberspace but that simply isn’t true. Thousands of films go missing, become inaccessible or go into distribution purgatory as the years pass and they become forgotten in time. Birds in Peru (aka Birds Come to Die in Peru) would probably be forgotten too if it hadn’t received such scathing reviews upon its original release in 1968. Continue reading