How to Bungle a Heist

An Italian film poster for the 1958 crime caper comedy BIG DEAL ON MADONNA STREET, directed by Mario Monicelli.

While some point to The Asphalt Jungle in 1950 as the film that really marked the emergence of the heist film, the genre had actually been in existence since the silent era with The Great Train Robbery (1903) a prime example on up through the forties with such influential efforts as High Sierra (1941). It is true, however, that the heist film became an international phenomenon in the fifties thanks to the worldwide success of Jules Dassin’s Rififi (1955) which set the standard for subsequent films such as Stanley Kubrick’s The Killing (1956) and Jean-Pierre Melville’s Bob Le Flambeur (1956). It was inevitable that some filmmaker would eventually poke fun at the then-current craze but nobody expected it to come from Italy in what is now regarded as possibly the finest heist parody of all time – Big Deal on Madonna Street (1958). Directed by Mario Monicelli, the film was known in Italy as I Soliti Ignoti and was also released under the alternate title of Persons Unknown.

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When Best Laid Plans Go Awry

On first impressions The Big Caper (1957) may look like just another grade B bank heist thriller but don’t be fooled. This 1957 independent pickup by United Artists is a genuine loose canon and highly peculiar within its own specialized genre. In the best heist thrillers (Rififi, The Asphalt Jungle), the robbery is usually ingeniously planned and executed but when it goes awry, it’s usually due to festering hatred among the instigators (Odds Against Tomorrow) or bad luck (Plunder Road). In The Big Caper, the glaring flaw is the organizer who appears to be a shrewd and cautious businessman until you see the wacko team he assembles for the job. And he might be the biggest nutcase in the lot. It’s not a comedy, but it should be, and you may very well find yourself laughing uncontrollably at times.   Continue reading