I’m a big admirer of John Frankenheimer’s early work from such live TV dramas as The Comedian (1956) and Days of Wine and Roses (1957) to his peak achievements of the sixties: All Fall Down (1962), Birdman of Alcatraz (1962), The Manchurian Candidate (1962) and Seconds (1966). I’ve also enjoyed several of the more commercial projects he helmed throughout his career such as Seven Days in May (1964), Black Sunday (1977) and Ronin (1998). Unfortunately, his reputation has suffered over the years due to several box office bombs and critically maligned movies – The Horsemen (1971), Story of a Love Story aka Impossible Object (1973), 99 and 44/100% Dead (1974), Prophecy (1979), Dead Bang (1989), and especially The Island of Dr. Moreau (1996), which had a highly publicized and chaotic production history. Yet the most notoriously panned film of his career is easily The Extraordinary Seaman (1969) and in Frankenheimer’s own words, “It was the only movie I’ve made which I would say was a total disaster.” So, I finally decided to see for myself if the movie lives up to its notoriety.
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When Best Laid Plans Go Awry
On first impressions The Big Caper (1957) may look like just another grade B bank heist thriller but don’t be fooled. This 1957 independent pickup by United Artists is a genuine loose canon and highly peculiar within its own specialized genre. In the best heist thrillers (Rififi, The Asphalt Jungle), the robbery is usually ingeniously planned and executed but when it goes awry, it’s usually due to festering hatred among the instigators (Odds Against Tomorrow) or bad luck (Plunder Road). In The Big Caper, the glaring flaw is the organizer who appears to be a shrewd and cautious businessman until you see the wacko team he assembles for the job. And he might be the biggest nutcase in the lot. It’s not a comedy, but it should be, and you may very well find yourself laughing uncontrollably at times. Continue reading