How to Bungle a Heist

An Italian film poster for the 1958 crime caper comedy BIG DEAL ON MADONNA STREET, directed by Mario Monicelli.

While some point to The Asphalt Jungle in 1950 as the film that really marked the emergence of the heist film, the genre had actually been in existence since the silent era with The Great Train Robbery (1903) a prime example on up through the forties with such influential efforts as High Sierra (1941). It is true, however, that the heist film became an international phenomenon in the fifties thanks to the worldwide success of Jules Dassin’s Rififi (1955) which set the standard for subsequent films such as Stanley Kubrick’s The Killing (1956) and Jean-Pierre Melville’s Bob Le Flambeur (1956). It was inevitable that some filmmaker would eventually poke fun at the then-current craze but nobody expected it to come from Italy in what is now regarded as possibly the finest heist parody of all time – Big Deal on Madonna Street (1958). Directed by Mario Monicelli, the film was known in Italy as I Soliti Ignoti and was also released under the alternate title of Persons Unknown.

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All the Youthful Days

A scene from Hsiao-Hsien Hou’s THE BOYS FROM FENGKUEI (1983).

For many young people, the time period immediately after their high school graduation is a crucial phase in which their lives could take many different paths depending on the decisions they make. This is especially true for those who don’t go to college and either go to work, are drafted into the military or hang out with friends before adult responsibilities consume their lives. Falling into the latter category is 1983’s The Boys of Fengkuei (The original Taiwanese title Feng gui lai de ren roughly translates as All the Youthful Days), an evocative coming-of-age drama from internationally renowned director Hsiao-Hsien Hou.

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Christmas Lockdown in the Eternal City

An alternate release poster for the Roberto Rossellini film ERA NOTTE A ROMA (1960)

Available for years in inferior public domain prints and poor video transfers, Robert Rossellini’s influential WW2 trilogy [Rome Open City (1945), Paisan (1946) and German Year Zero (1949)], which firmly established him as the “father of Neorealism”, finally received 4K high-definition digital transfers from The Criterion Collection in 2017. Linked thematically to this trilogy, however, is a later Rossellini film, Era Notte a Roma [English title, Escape by Night aka Blackout in Rome,1960), which, unfortunately, has never enjoyed the reputation or respect of this seminal trilogy. I first saw a 16mm print of the film from Films Inc. years ago when it still licensed titles from The Audio Brandon Collection. I had a chance to revisit Era Notte a Roma again recently on DVD and am still baffled by the movie’s low profile since its original release.

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Stranger in a Stranger Land

Have you ever felt like you didn’t fit in or were completely out of sync with everyone in your immediate world? That is the existential dilemma that drives the narrative of Smog, a 1962 film from little known Italian director Franco Rossi that depicts a European traveler’s first impressions of Los Angeles.  The man in question is Vittorio Ciocchetti (Enrico Maria Salerno), a lawyer from Rome who arrives at LAX airport en route to Mexico on business, and the title of the film, of course, refers to the toxic mixture of fog and car exhaust that has characterized Los Angeles weather since the 1940s when cars began to clog the streets and freeways of the city.   Continue reading