How to Bungle a Heist

An Italian film poster for the 1958 crime caper comedy BIG DEAL ON MADONNA STREET, directed by Mario Monicelli.

While some point to The Asphalt Jungle in 1950 as the film that really marked the emergence of the heist film, the genre had actually been in existence since the silent era with The Great Train Robbery (1903) a prime example on up through the forties with such influential efforts as High Sierra (1941). It is true, however, that the heist film became an international phenomenon in the fifties thanks to the worldwide success of Jules Dassin’s Rififi (1955) which set the standard for subsequent films such as Stanley Kubrick’s The Killing (1956) and Jean-Pierre Melville’s Bob Le Flambeur (1956). It was inevitable that some filmmaker would eventually poke fun at the then-current craze but nobody expected it to come from Italy in what is now regarded as possibly the finest heist parody of all time – Big Deal on Madonna Street (1958). Directed by Mario Monicelli, the film was known in Italy as I Soliti Ignoti and was also released under the alternate title of Persons Unknown.

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Senilità aka Careless (1962)

Anthony Franciosa plays a frustrated office worker pushing forty who develops an obsessive love for a young woman in SENILITA (1962), directed by Mauro Bolognini.

Italian novelist Italo Svevo was the pseudonym for Ettore Schmitz, a novelist and short story writer who was born in Trieste in 1861. After publishing two unsuccessful novels, he gave up writing until his English tutor James Joyce encouraged him to continue and he wrote a third novel in 1823, Confessions of Zeno (considered his masterpiece) and several short stories which were not published until after his early death from an automobile accident in 1928. Svevo never received the acclaim he deserved during his own lifetime but now he is considered one of Italy’s most famous authors and a pioneer of the psychoanalytical novel. His novels and some of his short stories were later adapted for film and television productions but the first one to hit the screen was Senelita (aka Careless, 1962), based on his second novel. The story of an insecure, self-absorbed office worker approaching forty who develops an obsessive love for a beautiful working class girl, the film was an impressive early masterwork for director Mauro Bolognini and helped launch Claudia Cardinale as an international star (The following year she appeared in Federico Fellini’s 8 ½, Luchino Visconti’s The Leopard and made her American film debut in The Pink Panther). 

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Master of Illusions

Director Federico Fellini on the set of Satyricon (1969); Photo by Mary Ellen Mark.

“Fellini’s work is like a treasure chest. You open it up and there, right in front of your eyes, a world of wonders springs up – ancient wonders, new ones, provincial wonders and universal ones, real wonders and fantastic ones.” – Martin Scorsese

The Oscar nominated director of Raging Bull (1980) and Goodfellas (1990) is just one of the usual suspects (along with Woody Allen and Paul Mazursky) rounded up to pay homage to the great Italian director in The Magic of Fellini (2002), a 56-minute documentary written and directed by Carmen Piccini.

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