“Fellini’s work is like a treasure chest. You open it up and there, right in front of your eyes, a world of wonders springs up – ancient wonders, new ones, provincial wonders and universal ones, real wonders and fantastic ones.” – Martin Scorsese
The Oscar nominated director of Raging Bull (1980) and Goodfellas (1990) is just one of the usual suspects (along with Woody Allen and Paul Mazursky) rounded up to pay homage to the great Italian director in The Magic of Fellini (2002), a 56-minute documentary written and directed by Carmen Piccini.
Before he had reached the age of thirty, French director Louis Malle (born in 1932) had already emerged as one of his country’s most critically acclaimed and internationally recognized filmmakers on the basis of his first three films – The Oscar®-winning documentary, The Silent World (1956), which he co-directed with Jacques-Yves Cousteau, the atmospheric noir Elevator to the Gallows (1958), and the controversial adultery drama, The Lovers (1958). Many film critics felt that his fourth film, Zazie dans le metro (1960), based on the novel by Raymond Queneau, was his most adventurous and impressive work to date but it failed to generate ticket sales and was a costly failure. Due to this, Malle felt pressured to make a more commercial feature and the result was A Very Private Affair (1962, French title Vie privée), starring Brigitte Bardot. Continue reading →
Vittorio De Sica (left), Sophia Loren, Marcello Mastroianni in TOO BAD SHE’S BAD (1955)
Often overlooked or dismissed as a minor comic trifle, Peccato che sia una canaglia (English title: Too Bad She’s Bad) has, in recent years, acquired a much more favorable reassessment from film scholars and film buffs due to occasional revivals on Turner Classic Movies and a 2004 DVD release from Ivy Video. It not only has a delightful, rakish charm and evocative on-location filming in Rome but showcases three of the most iconic names in Italian cinema directed by the legendary Alessandro Blasetti, whose career began in the silent era and spanned six decades. Also noteworthy is the fact that the film is based on the short story Il fanatico by Alberto Moravia, the celebrated Italian novelist who saw many of his novels turned into major films – la ciociara became Vittorio De Sica’s Two Women, Il disprezzo became Jean-Luc Godard’s Contempt and Il conformista became Bernardo Bertolucci’s The Conformist. Continue reading →