Thomas Schamoni’s Almost Forgotten 1970 Experiment from the New German Cinema Movement

The New German Cinema of the late sixties-early seventies introduced the world to some of the most original and provocative filmmakers of the 20th century such as Rainer Werner Fassbinder, Wim Wenders, Werner Herzog and Volker Schlondorff, but some of pioneers never attracted much attention outside their own country and their films are in danger of being forgotten. Among them are Helma Sanders-Brahms, Peter Lilienthal, Hans W. Geissendorfer and Thomas Schamoni, who is probably the most obscure of them all. Schamoni worked for most of his career in television, turning out documentaries and made-for-TV movies, but in 1970 he directed his only feature film, A Big Grey-Blue Bird (German title: Ein grober graublauer Vogel). A lo-fi mashup of sci-fi and spy genre elements reminiscent of Jean-Luc Godard’s Alphaville (1965), it is a playful and surprisingly entertaining cinematic “experiment” that should have found a wider audience.

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Follow the Money

In an amoral world where everyone is a liar, cheat, assassin or ruthless opportunist, can there be any heroes? It all comes down to a matter of charisma and underdog appeal in West German director Klaus Lemke’s Negresco – Eine Todliche Affare (1968), which is also known by the far more suggestive title, My Bed is Not for Sleeping. The film is a flashy, colorful bauble of swinging sixties cinema that flirts with several genres without committing to any. Is it an espionage thriller? A sexy jet-set romance? A cynical expose of the La Dolce Vita crowd and their pretentious lives?  Continue reading