Guilty Bystanders

The Japanese film poster for Mikkai aka THE ASSIGNATION (1959), directed by Ko Nakahira.

A young couple are enjoying a romantic rendezvous in a hidden grove at a city park at twilight. It turns out to be an illicit affair. The woman is the married wife of a law professor and her lover is one of his students. Their privacy is interrupted by the arrival of a speeding taxi that crashes into an embankment nearby. Inside the driver is seen struggling with the backseat occupant. It ends badly with the driver murdered and his body dragged into the bushes. The killer flees and the young couple are faced with a dilemma. Should they go to the police and risk exposing their affair or remain silent? This is the pressing issue that drives the narrative of The Assignation (Japanese title: Mikkai, 1959), directed by Ko Nakahira. 

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Oedipus Rex in Drag

Next to William Shakespeare, Sophocles is probably the most enduring and internationally renowned dramatist in terms of his work still being adapted for the stage, television and cinema and I doubt you will find a more bizarre or outre version of his Greek tragedy Oedipus Rex than Funeral Parade of Roses. Directed by Japanese avant-garde filmmaker Toshio Matsumoto, this revelatory 1969 movie – it was his first feature film after several experimental shorts – is just as fresh and startling today as it was when it first appeared over fifty years ago.    Continue reading