Dream Time or Real Time?

Odile (Bulle Ogier) is quite enthralled with the ingenious exploits of master criminal Fantomas on the screen but her companion Jacques (Roger Van Hool) is clearly annoyed by the whole thing in APPOINTMENT IN BRAY (1971), a French film by Belgium director Andre Delvaux.

Have you ever woken up from a dream that was almost ordinary in the way it unfolded yet it left you with a feeling that it had taken place in some ethereal twilight zone? That is the best way that I can describe the experience of watching Appointment in Bray aka Rendez-vous a Bray (1971), Andre Delvaux’s artful adaptation of the Julien Gracq short story, Le Roi Cophetua. On the surface, the film has the structure of a traditional character study but is actually much closer in tone and atmosphere to a cinematic haiku, one that offers meditative reflections on memory, friendship and the debilitating effects of war. 

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A City or a Labyrinth?

Whether by accident or design, French filmmaker Jacques Rivette is probably the least known member of the influential Nouvelle Vague movement of the late fifties though, like Jean-Luc Godard, Francois Truffaut, Eric Rohmer, and Claude Chabrol, he too was a former writer and film critic for Cashiers du Cinema. He even started production on his first feature length film, Paris Belongs to Us (French title: Paris Nous Appartient), in 1957, before Chabrol, Truffaut and Godard began work on what would become their universally acclaimed debuts of, respectively, Le Beau Serge (1958), The 400 Blows (1959) and Breathless (1960). Yet, despite the artistic and liberating impact the latter three films had on world cinema, Paris Belongs to Us might be the most ambitious, challenging and intellectually provocative film of the whole movement. It is also the darkest, waltzing toward an imagined or possibly real oblivion. The Homeland Security System would give it a code orange classification.       

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A Marriage of Convenience?

Almost everyone has a good reason for why they want to get married but for Hugues, there is a very specific need. He wants to find a woman with a place of her own, preferably one with ample square footage that includes a sitting room and a large, walk-in closet. Love or companionship isn’t a main objective. Nor does he have any particular preferences concerning the woman’s appearance or personality as long as she is close to the same age. Strangely enough, Hugues finds the ideal candidate through the Duvernet Agency, a professional matchmaker. Jeanne is not only lovely and charming, if a bit elusive, and she has never been married before. Plus, she resides in a sprawling ground floor apartment once owned by an uncle. What could be better?  So begins 1970’s L’Alliance (also known as The Wedding Ring), an exceedingly peculiar tale that slowly lures the viewer down a rabbit hole.

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The Lost Films of Audio-Brandon

The Sleeping Car MurdersBack in the days before the VHS home video market exploded and Blockbuster became the obiquitous rental store, the 16mm film library was still a viable business in the non-theatrical college and educational markets. The decline would begin in the early eighties and by the end of the decade most 16mm distributors would be out of business. But during the peak years, this film format was affordable and easily accessible to all types of organizations (churches, schools, businesses and prisons) and also individuals who ran private film societies.   Continue reading