Shellshocked Romance

PTSD (Post-traumatic stress disorder) is a term that became prominent in 1980 when the American Psychiatric Association recognized it as a mental health diagnosis that was often used to describe Vietnam War veterans and Holocaust survivors. Although PTSD could also apply to survivors of violent crimes, natural disasters and other calamities, it is more often association with war victims. Shellshocked is an earlier term for this disorder and was common in describing afflicted soldiers returning from battle during World War I. The Return of the Soldier, Rebecca West’s debut novel (published in 1918), was unique for featuring a shellshocked war veteran whose return home exposed his fragile mental condition to those who knew him before he went to battle. West’s novel was also significant for addressing such prevalent concerns in the narrative as class differences, Freudian psychoanalysis (which was popular at the time) and the lives of women living in a patriarchal society. All of this was skillfully integrated into the overlooked 1982 film adaptation of The Return of the Soldier, which faithfully captures the spirit and central focus of West’s narrative, one that utilizes the shellshocked protagonist as a means to examine three important women in his life and their response to his war trauma.

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Racetrack Visions

What are your favorite film adaptations of famous short stories? Among the titles in my top 20 list are Rear Window (1954), based on Cornell Woolrich’s “It Had to Be Murder,” All About Eve (1950), adapted from Mary Orr’s ”The Wisdom of Eve,” The Body Snatcher (1945), which was taken from Robert Louis Stevenson’s story of the same name, It Happened One Night (1934), based on Samuel Hopkins Adams’ “Night Bus,” and The Rocking Horse Winner (1949), which is one of D.H. Lawrence’s best known short stories. However, the latter film is a largely unsung minor masterpiece of the British cinema that is highlighted by impeccable performances and an eerie Gothic atmosphere with almost supernatural overtones.

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