The Holy Bray

The title character of Robert Bresson’s Au Hasard Balthazar (1966) is a donkey who goes through a series of owners in his sad life as a beast of burden.

Films about animals or featuring them as the main protagonists are usually the province of Walt Disney and other family friendly productions such as Benji (1974) and March of the Penguins (2005). Other than the horror genre, though, there have been relatively few departures from the usual formulaic approach to this type of movie with Jerome Bolvin’s dark satire Baxter (1989) and the ethnographic Story of the Weeping Camel (2003) being two of the rare exceptions. Yet nothing can really compare with Au Hasard Balthazar (1966), directed by French filmmaker Robert Bresson, which stands alone as a profound and singular achievement in this category.   Continue reading

Any Port in a Storm

sailor from Gibraltar (fra) posterAlong with his film adaptation of Vladimir Nabokov’s Laughter in the Dark (1969), Tony Richardson’s The Sailor from Gibraltar (1967) is probably the most obscure and rarely seen film from the director’s middle period, a time when he was floundering and unable to match the earlier critical and commercial success of his 1963 Tom Jones adaptation. There are many reasons for that, of course, and Richardson would probably admit it was one of his biggest disasters, if not the biggest. It also wasn’t intended for the average moviegoer and was much more attuned to art house cinema patrons with its enigmatic story based on the novel Le marin de Gibraltar by Marguerite Duras, whose screenplay for Hiroshima, Mon Amour received an Oscar® nomination in 1961 (even though the film was released in 1959). To date, The Sailor from Gibraltar is still missing in action with no legal DVD or Blu-Ray release available. Continue reading