For better or worse, the 1960s was a time when commercial and experimental cinema occasionally collided, producing innovative, financially successful films such as Stanley Kubrick’s 2001: A Space Odyssey (1968) and Michelangelo Antonioni’s Blow-Up (1966), but more often high profile failures such as Tony Richardson’s The Sailor from Gibraltar (1967), Otto Preminger’s Skidoo (1968) and the unfortunate 1969 screen adaptation of Lawrence Durrell’s Justine. In Search of Gregory (1969), which was designed as a star vehicle for Julie Christie by producer Joseph Janni and followed her critically acclaimed performance in Petulia (1968), falls into the latter category.
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The Sound That Kills
Movies about people who murder with weapons or their bare hands are nothing out of the ordinary but what about a film where a man can kill with his voice? It might seem preposterous but The Shout (1978), directed by Jerzy Skolimowski, takes this concept and turns it into something that is both plausible and unsettling. Continue reading
Any Port in a Storm
Along with his film adaptation of Vladimir Nabokov’s Laughter in the Dark (1969), Tony Richardson’s The Sailor from Gibraltar (1967) is probably the most obscure and rarely seen film from the director’s middle period, a time when he was floundering and unable to match the earlier critical and commercial success of his 1963 Tom Jones adaptation. There are many reasons for that, of course, and Richardson would probably admit it was one of his biggest disasters, if not the biggest. It also wasn’t intended for the average moviegoer and was much more attuned to art house cinema patrons with its enigmatic story based on the novel Le marin de Gibraltar by Marguerite Duras, whose screenplay for Hiroshima, Mon Amour received an Oscar® nomination in 1961 (even though the film was released in 1959). To date, The Sailor from Gibraltar is still missing in action with no legal DVD or Blu-Ray release available. Continue reading