You might not know the name but you know the face. One of the most eccentric character actors in American cinema, he has had the rare distinction of working with everyone from James Dean and Elia Kazan (East of Eden) to Marlon Brando (The Wild One; One-Eyed Jacks) to Stanley Kubrick (The Killing; Paths of Glory) to John Cassavetes (Minnie and Moskowitz; The Killing of a Chinese Bookie) to The Monkees (their feature debut Head) to Mr. T, Bill Maher and Gary Busey in D.C. Cab. Let me add a few more to that already impressive filmography which includes appearing with Clark Gable (Across the Wide Missouri), Francis the Talking Mule (Francis in the Navy) and Shelley Winters and Debbie Reynolds (What’s the Matter With Helen?) and god knows who else. We’re talking about Timothy Carey and probably his greatest role is the one you’ve never seen – The World’s Greatest Sinner (1962). Continue reading
Anyone who is a fan of Italian giallos, European art house fare and off the grid cult films is familiar with actress Mimsy Farmer. She left Hollywood in the late sixties after her “youth exploitation” days with American International Pictures in such films as Hot Rods to Hell and Riot on Sunset Strip. Relocating to Europe, she pursued film roles there for the remainder of her career. As an actress she was rarely drawn to mainstream commercial projects and a sampling of her eclectic filmography includes such diverse titles as Barbet Schroeder’s drug addiction opus, More (1969), George Lautner’s erotic melodrama Road to Salina (1970), Dario Argento’s 1972 murder mystery Four Flies on Grey Velvet, The Taviani Brothers’ critically acclaimed Allonsanfan (1974) and Serge Leroy’s survivalist thriller, La Traque (1975). But one of her most obscure and unusual roles is Fabio Carpi’s Corpo d’amore (aka Body of Love, 1972).