Audie Murphy: Role Model

Audie Murphy plays an angel of death in the semi-allegorical western western, No Name on the Bullet (1959), directed by Jack Arnold

Clint Eastwood certainly carved out his own genre niche as “The Man With No Name” gunslinger of Sergio Leone’s spaghetti western trilogy but he wasn’t the first to craft his screen persona as an archetype of the tight-lipped, deadly frontier drifter. Audie Murphy had already perfected the prototype in No Name on the Bullet (1959), a much darker variation on the heroic lawmen the actor usually played in westerns. Continue reading

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The Film Noir That Got Away

Maggie Smith and George Nader in the film noir, Nowhere to Go (1958)

Maggie Smith and George Nader in the film noir, Nowhere to Go (1958)

Ealing Studios. The name conjures up memories of the great British comedies such as The Man in the White Suit, The Ladykillers, The Lavender Hill Mob and Kind Hearts and Coronets.  Film noir, however, is not the genre that usually comes to mind although Ealing rubbed shoulders with it occasionally in It Always Rains on Sunday (1947) and Pool of London (1951). Oddly enough, one of the studio’s final releases, Nowhere to Go (1958) was pure, unadulterated noir and a stylish, terse little thriller to boot. Sadly, it has been overlooked and unappreciated for years even though it marks the feature film debut of director Seth Holt and gave actress Maggie Smith her first major screen role.  Continue reading