Looking for Love in All the Wrong Places

Director John Cassavetes broke all the rules, inventing his own and then discarding them as he went along. He improvised and experimented with everything from the cinematography to the performances to the actual financing of the film. He even mortgaged his own home numerous times to subsidize his movies over the years and took on acting jobs purely for monetary reasons. His directorial debut Shadows (1958), with its jerky, hand-held camerawork, vivid location shooting on New York City streets and edgy subject matter involving an interracial romance, is one of the most influential films to emerge from the independent New York City cinema movement of the 1950s. Yet, it was just a warm-up for Cassavetes’s next film, Faces (1968), which was even more provocative and unconventional. 

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Irving Lerner Double Feature

Irving who? The name may not be familiar to you but if you are a film noir fan, you might know the titles Murder by Contract (1958) and City of Fear (1959), two low-budget crime dramas, both of which star Vince Edwards. These were the third and fourth films in the filmography of Irving Lerner and the more famous of the two is Murder by Contract, which has often been championed by Martin Scorsese over the years. In recent years it has enjoyed wider exposure due to its release on DVD as well as retrospective screenings at events like the Noir City Film Festival, hosted by film noir expert Eddie Muller.  Murder by Contract is a tautly directed minor masterpiece with an exceptionally chilling performance by Edwards. He plays Claude, a coldly efficient hit man who likes to make a nice clean kill with no mess, no slip-ups, and no surprises due to poor planning – “I wasn’t born this way. I trained myself! I eliminated all personal feeling.” 

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