Italian director Elio Petri is probably best known for Investigation of a Citizen Above Suspicion (1970), which won the Oscar for Best Screenplay (by Petri and Ugo Pirro) in 1972. Yet, most of his other work, with the possible exception of the cult sci-fi satire The 10th Victim (1965), remains overlooked or forgotten when film historians write about the great Italian directors of the sixties and seventies. And 1968’s A Quiet Place in the Country (Un Tranquillo Posto di Campagna) is easily one of his most intriguing and visually compelling films.
The James Bond film craze of the 1960s was responsible for launching a secret agent/spy movie sub-genre that thrived for more than a decade. Some of the imitators like Our Man Flint (1966) and The Silencers (1966) even spawned mini-franchises but the majority of them were strictly B-movies with international casts and exotic locations. One of the more obscure and unusual entries is Operation Kid Brother (1967), which is an entertainingly bad knockoff and sports a genuine Sean Connery-007 connection. It stars younger sibling Neil Connery in his screen debut. Continue reading
“The worst poverty is not wanting to be rich!”
Something is gnawing at Guido. It’s the feeling that life is passing him by and he will never be anything but average which, to him, is the same as being a nobody. We’ve all known someone like Guido whose desire to be rich, famous and envied by all becomes his all-consuming obsession. Is it because his parents were peasants? Despite that, he still went to college, has a steady, respectable job at a major real estate firm and is married to Laura, a beautiful, talented woman who is on the fast track to success at a public relations firm with high end clients. So what’s the problem? Continue reading
Each year hundreds of international films never get picked up for distribution in the U.S. and the select few that do are either high profile film festival prize winners like Michael Haneke’s Amour (2012) or popular commercial hits like March of the Penguins (2005) from France and Life is Beautiful (1997) from Italy. So when you come across an austere and haunting cinematic work like Valerio Zurlini’s The Desert of the Tartars (Il Deserto Dei Tartari), you have to wonder how many great films from other lands are out there that you are not going to see…and probably never will. Continue reading