Most people who work for a company, regardless of its size, have probably attended an office party for the employees at a certain point. For some, the idea of socializing with co-workers outside of work is something to avoid if possible. For others, it is an opportunity to score points with the boss and maybe advance your career. Then there are employees who simply enjoy social gatherings where an open bar and free food is theirs for the taking. All of these personality types and more – the gossip, the prude, the party animal, etc. – are on display in The Invitation (French title: L’invitation, 1973), a comedy of manners by Swiss director Claude Goretta, in which the employees of a small firm gather at a country estate for an office party given by one of the most unlikely employees to host a soiree.Continue reading
Anyone who is a fan of Italian giallos, European art house fare and off the grid cult films is familiar with actress Mimsy Farmer. She left Hollywood in the late sixties after her “youth exploitation” days with American International Pictures in such films as Hot Rods to Hell and Riot on Sunset Strip. Relocating to Europe, she pursued film roles there for the remainder of her career. As an actress she was rarely drawn to mainstream commercial projects and a sampling of her eclectic filmography includes such diverse titles as Barbet Schroeder’s drug addiction opus, More (1969), George Lautner’s erotic melodrama Road to Salina (1970), Dario Argento’s 1972 murder mystery Four Flies on Grey Velvet, The Taviani Brothers’ critically acclaimed Allonsanfan (1974) and Serge Leroy’s survivalist thriller, La Traque (1975). But one of her most obscure and unusual roles is Fabio Carpi’s Corpo d’amore (aka Body of Love, 1972).