Honoring Marie Prevost

Actress Marie Prevost from her early screen career as a Mack Sennett bathing beauty.

I can remember the first time I ever heard of Marie Prevost. It was while I was reading Kenneth Anger’s Hollywood Babylon back in 1975. For a book loaded with salacious and unsubstantiated stories about many famous stars, the tiny entry on this actress was particularly unkind and disturbing. There was a coroner photograph of Prevost (supposedly) lying on her stomach in bed with what looked like abrasions on her skin with the photo caption “Doggie’s Dinner.”

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Nicholas Ray’s Gender Bender Western

In the fifties, the Western genre experienced a revitalization that saw new approaches to the form – everything from a film noir interpretation like The Furies (1950) to a psychological thriller like High Noon (1952) to a promotional gimmick like the 3-D Western, Hondo (1953). However, it’s safe to say that Johnny Guitar (1954), Nicholas Ray’s bold experiment with color, role reversal, stylized sets, and operatic emotions is a one of a kind masterpiece that will never be repeated.   Continue reading

Love Hurts

Joan Crawford and Cliff Robertson have a traumatic love affair in Autumn Leaves (1956).

Joan Crawford and Cliff Robertson have a traumatic love affair in Autumn Leaves (1956).

In 1956 directed Robert Aldrich surprised everyone by trying his hand at a “woman’s picture,” a melodramatic soap opera that on the surface appeared to be a complete departure from his previous work which included two westerns (Apache, Vera Cruz), a film noir (Kiss Me Deadly) and a drama (The Big Knife), whose emotional volatility equals the physical violence in the three preceding films.  Continue reading