Nicholas Ray’s Gender Bender Western

In the fifties, the Western genre experienced a revitalization that saw new approaches to the form – everything from a film noir interpretation like The Furies (1950) to a psychological thriller like High Noon (1952) to a promotional gimmick like the 3-D Western, Hondo (1953). However, it’s safe to say that Johnny Guitar (1954), Nicholas Ray’s bold experiment with color, role reversal, stylized sets, and operatic emotions is a one of a kind masterpiece that will never be repeated.   Continue reading

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For the Boys

Between 1941 and 1945 as World War II engulfed the world most major studios in Hollywood demonstrated their patriotism by producing numerous flag-waving musicals in support of the troops and to raise money for the war effort. Warner Bros. was represented by This is the Army (1943), Thank Your Lucky Stars (1943) and Hollywood Canteen (1944); Paramount served up Star Spangled Rhythm (1942) and Here Come the Waves (1944); Universal had a major hit with Buck Privates (1941) starring Abbott & Costello and The Andrew Sisters; 20th-Century-Fox unveiled the mind-warping visual excess of Busby Berkeley’s The Gangs All Here (1943) and MGM brought their signature gloss and glamor to Thousands Cheer (1943) and Anchors Aweigh (1945). But probably one of the biggest extravaganzas of all in terms of star cameos and musical guests was Stage Door Canteen (1943), released by United Artists.   Continue reading