The Darling of Berlin

Eva Renzi makes her screen debut as an international model in Playgirl (1966), directed by Will Tremper.

A new kind of female protagonist emerged in the sixties who was free-spirited, independent, hedonistic and willing to exploit her beauty and charm for social advancement without being categorized as a typical prostitute. Audrey Hepburn certainly set the standard as the unconventional Holly Golightly in Breakfast at Tiffany’s (1961) but other famous examples include Julie Christie’s self-absorbed model in Darling (1965) and Genevieve Waite’s wide-eyed waif in Joanna (1968). Lesser known but a distinctly German variation on this prototype is 1966’s Playgirl (also known as That Woman in the U.S.) featuring Eva Renzi in her feature film debut.  Continue reading

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Voyage of Doom

A former actor from Austria turned film director, Georg Tressler is not a name familiar to most American movie fans but for German filmgoers of the fifties he created a sensation with this 1956 feature film debut, Die Halbstarken (released in the U.S. as Teenage Wolfpack). As topical, incendiary and controversial in its day as The Wild One (1953), Rebel Without a Cause (1955) and Blackboard Jungle (1955), Die Halbstarken was a hard-hitting portrait of juvenile delinquency in post-war Germany and featured Horst Buchholz as a manipulative gang leader in a performance possibly inspired by James Dean. It was a huge hit and led Tressler to follow it up with two more youth-oriented films – Noch Minderjahrig (Under 18, 1957) and Endstation Liebe (Two Worlds, 1958). His fourth feature, Das Totenschiff (Ship of the Dead, 1959), was a complete departure from his trilogy in terms of content and was mostly ignored by critics and the public. But timing is everything and today Das Totenschiff looks like a lost classic from the pre-Berlin Wall era. And it may very well be Tressler’s finest achievement.    Continue reading