The Glamorous Ghost (Japanese Title: Sanpo Suru Reikyusha, 1964) is something of a rarity in Japanese cinema – a noir comedy. This is the sort of twisty, convoluted farce in which all of the main characters are greedy, immoral and deceitful and you end up rooting for Asami (Ko Nishimura), the taxi driver protagonist, only because he is a pitiful underdog with a simple dream – to retire and run a pig farm in the country. His plan to accomplish that, however, involves blackmail and worse and before The Glamorous Ghost reaches its macabre but amusing climax, most of the major players have departed this mortal coil.
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What a Piece of Work is Man
John Claudius, a professor of philosophy at Harvard, returns to his home in Germany after 20 years. As a young boy, he was sent to live with his mother’s relatives in Pittsburgh before World War II broke out. In his absence, his father built a financial empire with his munitions plant and became a respected member of the Nazi party. After Claudius senior was killed in a bombing raid, John’s mother Gertrud married Paul Claudius, the younger brother of her husband. The reason for John’s unexpected visit after 20 years is motivated by suspicions that his father was murdered by Paul and he is determined to learn the truth. Sound familiar? It should because The Rest is Silence (1959, German title: Der Rest ist Schweigen) is a loose adaptation of William Shakespeare’s Hamlet set in a post-WW2 Germany.
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