Something strange is happening at Boston Memorial Hospital. A surprising number of healthy patients, undergoing routine operations, are turning up as anesthesia-induced coma victims. When one of the brain-dead patients turns out to be the best friend of Dr. Susan Wheeler (Genevieve Bujold), the physician conducts her own investigation into the case, uncovering a sinister plot that implicates the hospital’s chief anesthesiologist (Richard Widmark) in a black market organ transplant operation. A clever hybrid combining the conspiracy thriller with a hospital soap opera, Coma (1978) plays like a contemporary Nancy Drew mystery with a distinctly feminist heroine, one who isn’t afraid to challenge the male chain of command at her job or risk her life in physically perilous situations (like a daring escape on the top of a speeding ambulance!). The film is also guaranteed to make you paranoid about hospitals and who isn’t already?
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In Their Own Words: Actors on Film Flops and Disappointments
Nobody sets out to make a bad movie. Why would they? Not only is it a colossal waste of money but it will remain on the permanent record of everyone associated with it. Still, there are factors that no one can control and sometimes an actor makes a movie with the best intentions that the critics hate, audiences avoid like the plague or conflicts during production doom it to failure. Here are 15 well documented examples including Marlon Brando (A Countess from Hong Kong), Shelley Winters (Knickerbocker Holiday), Richard Widmark (Slattery’s Hurricane), Beverly Garland (Swamp Women and Stark Fear), Bruce Dern (The Incredible 2-Headed Transplant), Ava Gardner (The Bible…In the Beginning), Christopher Plummer (The Royal Hunt of the Sun), Ida Lupino (The Hard Way), Tony Curtis (Son of Ali Baba), Sally Kellerman (Reform School Girl), Ernest Borgnine (The Devil’s Rain), Raquel Welch (Myra Breckinridge), Warren Oates (Chandler), Joan Shawlee (Prehistoric Women) and Vincent Price (Green Hell).
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