A $20 Million Cinematic Landmark to Slapstick

When Steven Spielberg’s 1941 opened in December 1979, it was mostly savaged by the critics though a few rose to its defense like Pauline Kael who wrote, “…the film overall is an amazing, orgiastic comedy, with the pop culture of an era compacted into a day and a night. There are such surprising slapstick payoffs that the film’s commercial failure in this country didn’t make much sense.” When I caught up with 1941 in a repertory screening in 1982, I had to concur with Kael that Spielberg’s comic epic was unfairly maligned and great fun if you just go with the chaotic flow of it.   Continue reading

Brain Candy for the Cinephile

The Pervert's Guide to IdeologyFollowing the same format and stylized approach they used in The Pervert’s Guide to Cinema, director Sophie Fiennes (sister of Ralph and Joseph Fiennes) and theorist/cultural critic Slovoj Zizek are back with another unorthodox but thoroughly entertaining film critique entitled The Pervert’s Guide to Ideology. This time, using a wealth of superbly chosen film clips (The Fall of Berlin,The Searchers, Cabaret, etc.), Zizek demonstrates how the film medium influences the way we think and feel through imagery that reinforces social behavior and conditioning.  Continue reading