Tag Archives: Henry Silva

Now You See Him, Now You Don’t

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Ever notice how every secret agent in the movies seems to have a gimmick? Well, Perry Liston – code name: Matchless – has got a winner. When confronted with unavoidable capture or certain death from enemies, he can literally vanish into thin air. He’s not superhuman though. His ability to become invisible at will is completely dependent on a unique ring given to him by a fellow prisoner in a Chinese jail. And the ring’s powers are limited: it can only be used once every 10 hours and the wearer can expect his invisible state to last no more than twenty minutes. Those are the rules and Matchless (1966), a quirky genre offering from Italy, plays fast and loose with the gimmick [In some markets it was released under the title Mission TS (Top Secret)].

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Cosa Nostra Bromance

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Professional hit men Schaft (Henry Silva, left) and Phil (Jack Klugman) converge on their target in the Eurocrime cult favorite, Hail, Mafia (1965), directed by Raoul Levy.

Do hit men have a code of ethics? It might seem like a bit of an oxymoron to have hit men and ethics in the same sentence but in most movies about organized crime like The Godfather, The Public Enemy or Scarface, there does seem to be some sort of moral code observed among the rank and file of thugdom, regardless of how hypocritical it may seem. Rarely though do we see crime thrillers where hit men have philosophical discussions about their work and Hail, Mafia (1965) is not only fascinating for this reason but it’s also a criminally overlooked little B-movie. Taut, suspenseful, oddly funny at times and a road movie of sorts, the European produced movie stars Henry Silva and Jack Klugman as ill-matched assassins on a journey to silence their target, an expatriate American (Eddie Constantine) living in France.

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