Have you ever woken up from a dream that was almost ordinary in the way it unfolded yet it left you with a feeling that it had taken place in some ethereal twilight zone? That is the best way that I can describe the experience of watching Appointment in Bray aka Rendez-vous a Bray (1971), Andre Delvaux’s artful adaptation of the Julien Gracq short story, Le Roi Cophetua. On the surface, the film has the structure of a traditional character study but is actually much closer in tone and atmosphere to a cinematic haiku, one that offers meditative reflections on memory, friendship and the debilitating effects of war.
Amid the avalanche of overproduced and overmarketed films that flooded movie theaters in the summer of 2006 (Poseidon, Miami Vice, Lady in the Water and Snakes on a Plane to name a few), a gallic import flew in under the radar and delighted any moviegoer willing to give in to its droll sense of humor and fond appreciation of the spy thriller genre of the sixties. OSS 117: Cairo, Nest of Spies was a huge box-office hit in France and Europe but it barely lasted a week in many of its U.S. playdates.