Plastic Nightmare

During the early years of the VHS boom movie lovers were suddenly able to access hundreds of films they had always wanted to see but weren’t available on TV or had never played movie houses in their town. Many were titles they had only read or heard about from fellow movie buffs. So it is no wonder that VHS became the dominant format in the home entertainment industry for awhile. I certainly credit VHS with introducing me to countless B-movies, forgotten Hollywood pictures and genre films but also introducing me to movies from outside the U.S., especially those from Canada. Among some of my favorites are Circle of Power aka Brainwash aka Naked Weekend (1981), a disturbing drama about a corporate retreat weekend for employees led by a dominatrix-like motivator (Yvette Mimieux); Siege aka Self Defense (1983), in which a small group of people are trapped in an apartment and attacked by crazed vigilantes; Family Viewing (1987), Atom Egoyan’s hypnotic drama about alienation; and Tales from the Gimli Hospital (1988), Guy Maddin’s bizarre debut feature. These were all surprising revelations to me but the one that still haunts me is Pin aka Pin: A Plastic Nightmare (1988).

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The Rotten Are Coming for You!

For my annual Halloween horror pick, I am highlighting a contemporary film, one that is currently playing in theaters, and not a horror classic from the past. Cuando Acecha la Maldad (U.S. title, When Evil Lurks, 2023) is the sixth feature film for Argentine director Demian Rugna, which includes his 2011 movie Malditos Sean! (U.S. title, Cursed Bastards), co-written and directed with Fabian Forte. This is a movie about demonic possession but it has little in common with the most famous film in that horror subgenre, The Exorcist (1973), with one exception: we never learn how or why the evil entity goes about choosing the victim that launches the ensuring madness. The nightmare starts with a bang – literally – as two farmer brothers Pedro (Ezequiel Rodriguez) and Jimi (Demian Salomon) hear gunshots on their neighbor’s property. When they investigate the following day, they discover that a member of their neighbor’s family is a “rotten,” a possessed being, and no one knows how to deal with it. When the brothers ask wealthy landowner Ruiz (Luis Ziembrowski) and his pregnant wife for help, they inadvertently set in motion a series of actions that not only release the evil spirit but help it spread like a virus.  

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Phantom Playmates

The Spanish film poster for THE ORPHANAGE (2007).

After opening in Spain in the Fall of 2007, Juan Antonio Bayona’s elegant ghost story El Orfanato (English title: The Orphanage) went on to generate enthusiastic word of mouth responses from its many festival showings at Cannes, Toronto, Sitges, Austin and New York while picking up various honors such as Best New Director and Best Original Screenplay at the Goya Awards (Spain’s equivalent of the Academy Awards) and a nominee for the Golden Camera award at Cannes. I was lucky enough to see the movie during a visit to Girona, Spain where it was playing at a multiplex just a few blocks away from the wonderful Museu del Cinema which houses the Tomas Mallol collection (an amazing repository devoted to the beginnings and earlier origins of the medium known as the cinema). 

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Little Demons

DON”T BE AFRAID OF THE DARK 1973 starring Kim Darby & Jim Hutton

“We Want You Sally….We Want You….Come to Us!” 

For those who first saw Don’t Be Afraid of the Dark at a young impressionable age when it originally aired on ABC in 1973, those maniacal, whispering voices of the little demons have probably stayed with you and so has this creepy little made-for-TV movie that has one of the more memorable endings of any haunted house genre picture. 

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