You probably couldn’t find a more unlikely friendship in Hollywood during the fifties than the one between Raymond Burr and Natalie Wood but most biographies of Wood document this little-known period of the actress’s life. The 38-year-old actor and the 17-year-old ingenue became close friends and possibly more during the making of A Cry in the Night (1956), in which he played an unhinged stalker and she was his victim.Continue reading
Not all film preservationists are focused on saving and restoring lost classics of silent and early cinema like Abel Gance’s Napoleon (1927) or overlooked noir indies from Hollywood’s golden era such as Richard Fleischer’s Trapped (1949). Mondo Macabro, which has been around since 2003 or so, is dedicated to introducing movie lovers to fringe cinema from around the world – obscure genre films that run the gamut from horror to sexploitation to art house oddities from countries as far flung as Japan, Latvia and South Africa. Among some of their offbeat releases are Lady Terminator (1989), a cheesy Indonesian rip-off of James Cameron’s The Terminator, The Living Corpse (1967), a vampire thriller from Pakistan, and Strip Tease (1963), a melancholy French drama starring Nico (of The Velvet Underground) with music by Serge Gainsbourg and Alain Goraguer. The company’s most recent release on Blu-Ray, The Killer of Dolls (El asesino de manecas, 1975), is easily one of their most peculiar and transgressive acquisitions to date. Continue reading
*This is the second part of a revised and updated version of a Norman Lloyd interview which was first recorded in March 2010 just prior to the actor/director/producer’s appearance at the first Turner Classic Movies Classic Film Festival.
Here is the link to Part 1: https://cinemasojourns.com/2017/04/09/norman-lloyd-hollywoods-long-distance-runner/ Continue reading