Plastic Nightmare

During the early years of the VHS boom movie lovers were suddenly able to access hundreds of films they had always wanted to see but weren’t available on TV or had never played movie houses in their town. Many were titles they had only read or heard about from fellow movie buffs. So it is no wonder that VHS became the dominant format in the home entertainment industry for awhile. I certainly credit VHS with introducing me to countless B-movies, forgotten Hollywood pictures and genre films but also introducing me to movies from outside the U.S., especially those from Canada. Among some of my favorites are Circle of Power aka Brainwash aka Naked Weekend (1981), a disturbing drama about a corporate retreat weekend for employees led by a dominatrix-like motivator (Yvette Mimieux); Siege aka Self Defense (1983), in which a small group of people are trapped in an apartment and attacked by crazed vigilantes; Family Viewing (1987), Atom Egoyan’s hypnotic drama about alienation; and Tales from the Gimli Hospital (1988), Guy Maddin’s bizarre debut feature. These were all surprising revelations to me but the one that still haunts me is Pin aka Pin: A Plastic Nightmare (1988).

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The Night of Counting the Years

Wanis (Ahmed Marei) wants his tribe to stop looting their heritage in the 1969 Egyptian drama THE NIGHT OF COUNTING THE YEARS aka Al-mummia (The Mummy).

It is not that common to encounter films from Egypt in the U.S. and only a handful have managed to enjoy theatrical distribution here in either film festival or art house screenings over the years. Youssef Chahine from Alexandria, Egypt is probably the best known director with more than 40 feature films to his credit including The Blazing Sun (1954) featuring Omar Sharif in his film debut and Bab el Hadid (Cairo Station, 1958), which brought him international attention. Other than Chahine, you might recognize Moshi Mizrahi although his best-known films were made in other countries; The House on Chelouche Street (1973), an Oscar nominee for Best Foreign Language Film was made in Israel, and Madame Rosa (1977) and I Sent a Letter to My Love (1980), both starring Simone Signoret, were filmed in France. A more contemporary Egyptian director is Atom Egoyan, although he was raised in Western Canada where most of his movies have been made including Exotica (1994) and The Sweet Hereafter (1997).

The Spanish film poster for The Mummy (Al-mommia, 1969) aka THE NIGHT OF COUNTING THE YEARS from Egyptian director Chadi Abdel Salam.

Many film historians and critics, however, often list Chadi Abdel Salam as one of the greatest Egyptian directors of all time on the basis of his solo feature film from 1969, Al-mummia (The Mummy aka The Night of Counting the Years), which has slowly acquired the status of a classic in its own country and around the world, thanks to the efforts of Martin Scorsese and The Film Foundation, which restored the film in 2009 in association with the Cineteca di Bologna and the Egyptian Film Center.  

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