In 1979, the Somoza dictatorship of Nicaragua was overthrown by the FSLN (Sandinista National Liberation Front) and it led to a decades long war with the country’s National Guard and the U.S. backed Contras aligned against the left wing Sandinista forces. The conflict raged until 1990 and it was a terrible time for the people of Nicaragua, especially the peasants and native communities like the Miskito in rural areas. Although several documentaries have been made on the subject over the years such as Werner Herzog’s Ballad of the Little Soldier (1984), there have been few high-profile dramatic features about the conflict. One of the rare exceptions is Under Fire (1983), Roger Spottiswoode’s intense drama about three journalists (Nick Nolte, Gene Hackman and Joanna Cassidy) covering the final days of the corrupt Somoza regime. Another worthy contender is Alsino and the Condor (1982), directed by Miguel Littin, which was filmed on location in Nicaragua and was Oscar nominated for the Best Foreign Language Film. Unlike the more realistic approach of Under Fire, Alsino and the Condor functions more as an allegory and was loosely based on Pedro Prado’s famous 1920 novel Alsino about a young boy who dreams of flying like a bird.
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Clothes Make the Man
How much of your identity is reflected in the clothes you wear? For some, fashion is the truest form of self-expression. It is who you are…or who you want to be. Some of the greatest fashion designers of our time have stated as much while offering other reasons for why it is important. Alexander McQueen said, “Fashion should be a form of escapism, and not a form of imprisonment” and Coco Chanel once remarked, “In order to be irreplaceable one must always be different.” This is certainly something to mull over while watching Quentin Dupieux’s dark, twisted fable, Deerskin (French title: Le Daim, 2019), which isn’t really about fashion per se but self-expression, creativity and being different are clearly part of the film’s thematic interests. Continue reading