Turn On, Tune In, Drop Out

The Hippie movement of the mid-sixties, which first flourished in San Francisco’s Haight-Ashbury neighborhood, has rarely been captured accurately in Hollywood feature films but there have been a few exceptions and one of the most notable is Psych-Out (1968). Filmed on location in San Francisco by cinematographer Laszlo Kovacs, under the director of Richard Rush (The Stunt Man, 1980), the American-International release captures a moment in time as well as any documentary on the same subject. On a visual level, you couldn’t ask for a better snapshot of the period from the clothes to the hair styles to the social behavior and counterculture attitude. Even the now dated hipster jargon, some of which will make you cringe, seems true to the period. If only the musical acts featured had been less a top forty fabrication than the real thing (Only The Seeds have any credibility among the groups on display), Psych-Out might have had a more significant impact upon its release.

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…And Bob Dylan Plays a Chainsaw-Wielding Conceptual Artist.

Bob Dylan in Backtrack aka Catchfire (1990)

Bob Dylan in Backtrack aka Catchfire (1990)

Sometimes the casting in a film is so peculiar and unique that you feel compelled to take a chance on it no matter how many negative things you’ve heard about it. Wouldn’t you want to see a movie that featured Jodie Foster, Vincent Price, Joe Pesci, Charlie Sheen, Dean Stockwell, Bob Dylan and numerous other well-known stars? Such is the case with 1990’s Catchfire, one of Dennis Hopper’s least known movies but there’s a reason for that.   Continue reading