One of Spain’s best known and critically acclaimed filmmakers in his own country, Carlos Saura is less well known in the U.S. where his mentor Luis Bunuel and his predecessor Pedro Almodovar are more famous. Yet, Saura was one of the guiding lights of the Spanish New Wave movement in the early sixties, beginning with his neorealistic social drama The Delinquents (1960). Saura would hit his stride with his two subsequent features, La Caza (1966, aka The Hunt) and Peppermint Frappe (1967), both of which explored the political, social and sexual repression of the Franco regime through the guise of allegory and psychological melodrama, respectively. Continue reading
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