The Giant Tetratron Must Be Stopped!

Not all of the rampaging monsters of the sci-fi thrillers and horror films of the fifties A-bomb era were mutant insects, oversized lizards or gigantic humans. Some were uniquely original and a credit to their creators such as The Monolith Monsters (1957) – growing towers of meteor crystals that absorbed moisture from humans – and the square-shaped robot with cylindrical legs known as Kronos (1957), a giant alien robot that smashed everything in its path. The Magnetic Monster (1953) belongs in this latter group and is an intriguing and intelligent sci-fi thriller, despite its limited budget, modest production values and the occasional serious scene that plays better as comedy.

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Beauty and the Sea Devil

The Russian film poster for the 1961 fantasy THE AMPHIBIAN MAN.

Science fiction and fantasy films have always been a popular staple of Russian cinema but, during the first half of the 20th century, very few of these genre films found theatrical distribution in the U.S. Among the handful that did make to American screens are Yakow Protazanov’s Aelita, the Queen of Mars (1924), Vasily Zhuravlyou’s Cosmic Journey (1936), Planeta Bur aka Planet of Storms (1962), which producer/director Roger Corman raided twice, using footage from it for Voyage to the Prehistoric Planet (1965) and Voyage to the Planet of Prehistoric Women (1968), and Ilya Muromets (1956), an epic fairy tale adventure from director Aleksandr Ptushko that was released in an edited, English-dubbed version entitled The Sword and the Dragon. Some Russian fantasy titles later popped up on American television and second-run houses in poor quality English language dubs like Sampo aka The Day the Earth Froze (1959) but my all-time favorite from this period is Chelovek-Ambibiya (English title: Amphibian Man, 1961), co-directed by Vladimir Chebotaryov and Gennadiy Kazqanskiy.

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