Robert Frank and The Rolling Stones

Photographer/filmmaker Robert Frank (left) and Mick Jagger (right) on The Rolling Stones’ private jet during their 1972 tour of the U.S. to promote the album “Exile on Main Street” as depicted in the rock documentary Cocksucker Blues (1972).

After being withheld from release for 15 years, Gerald Fox’s Leaving Home, Come Home: A Portrait of Robert Frank, is finally receiving a U.S. theatrical release. Famous for his seminal 1958 collection “The Americans,” Swiss-born photographer Frank is no stranger to films being withheld from public viewing and one of his most infamous projects C*cksucker Blues, a behind-the-scenes account of The Rolling Stones’ 1972 tour of America, remains unreleased to this day.  Continue reading

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Missing in Action: William Klein’s Quirky Portrait of Little Richard

Richard Wayne Penniman
aka Little Richard
circa 1950s

Those who follow the contemporary art scene and are well versed in art history know William Klein as one of the most influential American photographers to emerge in the fifties along with his contemporary Robert Frank. Famous for his unconventional fashion shoots for Vogue as well as his candid documentation of New York City street life, Klein went on to apply his photo-diary approach to Rome, Moscow and Tokyo in the sixties, all of which are available individually as photography collections. He is less well known for his idiosyncratic films (Eldridge Cleaver, Black Panther, 1970) and shorts (Broadway By Light, 1958) but luckily some of his best work is available on DVD – his intimate 1969 portrait of Muhammad Ali, Float Like a Butterfly, Sting Like a Bee (aka Muhammad Ali, the Greatest) and the Eclipse collection, The Delirious Fictions of William Klein that includes Who Are You, Polly Maggoo? (1966), Mr. Freedom (1969) and The Model Couple (1977). But I still want to see more of his cinema explorations made available and The Little Richard Story (1980), a West German production, is at the top of my list. Continue reading