Robert Frank and The Rolling Stones

Photographer/filmmaker Robert Frank (left) and Mick Jagger (right) on The Rolling Stones’ private jet during their 1972 tour of the U.S. to promote the album “Exile on Main Street” as depicted in the rock documentary Cocksucker Blues (1972).

After being withheld from release for 15 years, Gerald Fox’s Leaving Home, Come Home: A Portrait of Robert Frank, is finally receiving a U.S. theatrical release. Famous for his seminal 1958 collection “The Americans,” Swiss-born photographer Frank is no stranger to films being withheld from public viewing and one of his most infamous projects C*cksucker Blues, a behind-the-scenes account of The Rolling Stones’ 1972 tour of America, remains unreleased to this day.  Continue reading

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Remembering Hal Ashby

Mark Harris’s best-seller Pictures at a Revolution: Five Movies and the Birth of the New Hollywood pointed to 1967 as the year that the studio system crumbled and a new order emerged while Peter Biskind’s Easy Riders, Raging Bulls profiled the subsequent rise of the young turk directors in the seventies who changed cinematic conventions with their idiosyncratic films. Martin Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, Peter Bogdanovich are usually singled out as the prime movers and shakers by film historians of that era while the once high profile Hal Ashby is often underrated and relegated to the sidelines. Hal, Amy Scott’s new documentary on the director, is a welcome homage that attempts to elevate and restore this influential figure to his rightful place in Hollywood history.  Continue reading